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Publications and Presentations:

2022

  • 'Developing Vocal Training Resources for Respiratory Rehabilitation following Pulmonary Embolism', TaPRA 2023 (Leeds)

  • Eurovision 2023: why the stage itself is the silent star of the contestThe Conversation

  • From Marlene to Conchita and Kim: Gender Performativities and Iconicity in "Naked" Dresses, Fashion, Style & Popular Culture (Intellect)

  • 'Hearing Self as Other'; TaPRA 2022 (Colchester)

  • 'Pandemic Pedagogies: Decentring Scenographic Teaching', IFTR World Congress (Reykjavik)

 

2021

  • '"Please explain why you have come dressed as a bag of chips"- Reflections on Blended Teaching on a Practical Scenography Module'; AULT 2021 (Aberystwyth)

 

2020

2019

  • 'Listening to/in Fragments – Initial Thoughts on Paul Bull’s Legacy'; TaPRA 2019 (Exeter)

  • 'From Marlene to Conchita: Gender Performativities and Iconicity in "Naked Dresses"'; FVFC 2019 (Lille-Roubaix)

  • Brecht and the Writer’s Workshop – Fatzer and Other Dramatic Projects, Studies in Theatre and Performance (Taylor & Francis)

2018

  • Nowhere in Particular: Space, Place, Landscape and the De-Stabilisation of Self through Scenography', TaPRA 2018 (Aberystwyth)

  • 'Puckered, Wrinkled, Scarred – Skin as Costume in the Theatre of Howard Barker'; FCVC 2018

  • ‘‘What is this place…?’ – Howard Barker’s Spatial Scenography’, Journal of Contemporary Drama in English  (De Gruyter)

  • ‘Death, Decay and Domesticity: The Corpse as Pivotal Stage Presence in Howard Barker’s Dead Hands’, Contemporary Gothic Drama (Palgrave Macmillan)

2017

  • ‘Brides and Widows: Iconic Dress and Identity in Howard Barker’s Costumes’, Studies in Costume & Performance (Intellect)

  • ‘Between Excess and Subtraction: Scenographic Violence in Howard Barker’s Found in the Ground’, Sillages Critiques (Sorbonne)

2016

  • 'Brides and Widows in Howard Barker: Performing Identities through Iconic Dress', TFTS PG Conference (Aberystwyth)

2015

  • 'Scenographic Violence in Howard Barker’s Found in the Ground: Approaching Analysis through Aesthetics', TaPRA 2015 (Worcester)

  • 'Between Excess and Subtraction: Scenographic Violence in Howard Barker’s Found in the Ground', Writing of Violence, Violence of Writing? (Paris)

  • 'What is this place…?‘: Spatial Instability as Core Performative Feature in Howard Barker’s Und and A House of Correction', TaPRA PG Symposium (Manchester)

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