Publications and Presentations:

2025

• ‘Staging the Nation – The Politics of Eurovision Host Stages’ in Skinner, A. and Baker, C. (eds.) Designing Eurovision: Performance Scenography on an International Stage, New York: Routledge (forthcoming)

• ​‘Going down: eros, thanatos, and the politically transformative potential of queer desire’ in Rabey, D. I., Land of my Fathers & Last Ditch, Llandeilo: Cambria Publishing (forthcoming)

2023

• 'Developing Vocal Training Resources for Respiratory Rehabilitation following Pulmonary Embolism', TaPRA 2023 (Leeds)

• Eurovision 2023: why the stage itself is the silent star of the contest, The Conversation

 

2022​

• From Marlene to Conchita and Kim: Gender Performativities and Iconicity in "Naked" Dresses, Fashion, Style & Popular Culture (Intellect)

• 'Hearing Self as Other'; TaPRA 2022 (Colchester)

• 'Pandemic Pedagogies: Decentring Scenographic Teaching', IFTR World Congress (Reykjavik)

 

2021

• '"Please explain why you have come dressed as a bag of chips"- Reflections on Blended Teaching on a Practical Scenography Module'; AULT 2021 (Aberystwyth)

 

2020   

• Howard Barker's Scenography - The Wrestling School Aesthetic 1998-2011; Advances in Theatre & Performance Studies Series (Routledge)

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2019

• 'Listening to/in Fragments – Initial Thoughts on Paul Bull’s Legacy'; TaPRA 2019 (Exeter)

• 'From Marlene to Conchita: Gender Performativities and Iconicity in "Naked Dresses"'; FVFC 2019 (Lille-Roubaix)

• Brecht and the Writer’s Workshop – Fatzer and Other Dramatic Projects, Studies in Theatre and Performance (Taylor & Francis)

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2018

• Nowhere in Particular: Space, Place, Landscape and the De-Stabilisation of Self through Scenography', TaPRA 2018 (Aberystwyth)

• 'Puckered, Wrinkled, Scarred – Skin as Costume in the Theatre of Howard Barker'; FCVC 2018

• ‘‘What is this place…?’ – Howard Barker’s Spatial Scenography’, Journal of Contemporary Drama in English  (De Gruyter)

• ‘Death, Decay and Domesticity: The Corpse as Pivotal Stage Presence in Howard Barker’s Dead Hands’, Contemporary Gothic Drama (Palgrave Macmillan)

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2017

• ‘Brides and Widows: Iconic Dress and Identity in Howard Barker’s Costumes’, Studies in Costume & Performance (Intellect)

• ‘Between Excess and Subtraction: Scenographic Violence in Howard Barker’s Found in the Ground’, Sillages Critiques (Sorbonne)

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2016

• 'Brides and Widows in Howard Barker: Performing Identities through Iconic Dress', TFTS PG Conference (Aberystwyth)

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2015

• 'Scenographic Violence in Howard Barker’s Found in the Ground: Approaching Analysis through Aesthetics', TaPRA 2015 (Worcester)

• 'Between Excess and Subtraction: Scenographic Violence in Howard Barker’s Found in the Ground', Writing of Violence, Violence of Writing? (Paris)

• 'What is this place…?‘: Spatial Instability as Core Performative Feature in Howard Barker’s Und and A House of Correction', TaPRA PG Symposium (Manchester)